Who was Gary Indiana? Novelist, actor and art critic dies aged 74

Stage actor and novelist Gary Indiana has recently died (Representative image via Unsplash/Liam McGarry)
Stage actor and novelist Gary Indiana has recently died (Representative image via Unsplash/Liam McGarry)

Well-known writer and actor Gary Indiana, 74, unexpectedly passed away on October 24, following a lengthy battle with cancer. He was featured in many plays and even wrote a few of them. He wrote a novel, Gone Tomorrow, and also had a few films in his credits, including The Practice of Love.

Social media platforms were flooded with tributes as soon as the news of Indiana's demise caught attention. Gary's close friends shared posts from their respective accounts to recall his work in different fields over the years.

Gary Indiana was a resident of Los Angeles for a long time until he shifted to New York City during the 70s. His first book, Scar Tissue and Other Stories featured a huge collection of stories and this was followed by another book, titled, White Trash Boulevard.

In his acting career, he was mostly featured in experimental films. In an interview with The White Review in 2016, he was questioned whether he prefers to identify as a writer or an artist.

He replied by saying that he had some "horrible experiences" in the publishing industry due to which he realized that it was not worth his time to "engage with it on a regular basis." He continued by saying:

"I had always done other things too, with photography, film, whatever. I'd avoided showing my visual work for many years because if you do more than one thing in the US, people don't know what to do with that, they don't know how to label you."

Gary Indiana became famous for his art and stage work over the years: Career and other details explored

Also known as Gary Hoisington, he enrolled at the University of California and dropped out after a brief period. Before his successful work as a writer and actor, he joined an inner-city medical clinic as a receptionist and was in a company selling pharmaceutical drugs by 1977, due to which he went to Manhattan from Los Angeles.

Gary Indiana came to The Village Voice as a staff art critic in 1985. As mentioned, he was a part of different plays such as Alligator Girls Go to College and A Couple White F*ggots Sitting Around Talking, and his friend and mentor Bill Rice helped him to stage a few plays at places like La MaMa Theatre and Performing Garage.

Indiana's writing work has also been featured in magazines such as Art in America. Notably, Rent Boy was one of his most famous books as a writer and it was published back in 1994. The basic storyline had a male prostitute in the lead who becomes an accomplice in an organ harvesting scheme.

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Gary Indiana's writing credits also included a trilogy with the theme of crime, starting with Resentment in 1997. This was followed by Three Mouth Fever and Depraved Indifference. The books derived materials from the murder cases involving the Menendez Brothers, Andrew Cunanan, and Sante Kimes.

During his conversation with New York Times Style Magazine in April 2023, Gary Indiana said he had previously sold photographs to a popular screenwriter along with a novelist. He even addressed his artwork by saying:

"It's a different thing because writing is hard. Art's easy. Making art is much more pleasurable than writing. You can do so many things even if you are not painting or drawing. You can mix colors, you can stretch a canvas. I write in longhand, and all I have a pencil and paper. It's not a pleasure."

Gary Indiana had some experimental films in his credits

Gary started writing when he was in his late 30s and slowly expanded his career to acting during the 70s and 80s. He was the co-writer of a film, titled, Seduction of Patrick. He additionally appeared in other projects such as The Trap Door, Cold in Columbia, and The Practice of Love.

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He told The Paris Review in 2021 that he never received any training as an actor and he was cast only because of the way he was in real life. He claimed that the directors were more interested in his personality. He said that he had a lot of fun while acting in any project and added:

"I got to go to Europe and hang out with a lot of really fabulous people I'd admired my whole life, like Delphine Seyrig. She and I met on the set of Ulrike Ottinger's film The Image of Dorian Gray in the Yellow press. I played a spy, always in a kitschy Bavarian costume."

Gary Indiana also recalled his work in a film titled Terror 2000, calling it one of the "biggest roles" of his career, adding that the basic premise was inspired by real-life events that happened after the reunification of Germany.

Edited by Sreerupa Das
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