Twilight of the Gods is Zack Snyder's latest animated series that premiered on Netflix on September 19, 2024. The eight-episode program tells a dramatic and violent tale grounded in Norse mythology.
Although the show's amazing animation and sophisticated characters have enthralled viewers, it has also spurred debates on how closely it follows classic Norse tales. The program combines mythology with Snyder's imaginative narrative to produce both accurate and changed representations of the ancient stories.
Stories handed down from Scandinavia comprise Norse mythology, which features gods including Odin, Thor, Loki and others. It examines concerns of creation, conflict, and the end of the world, known as Ragnarök.
Inspired by these tales, Twilight of the Gods adds fresh characters and turns to fit the storyline of the program. Although it preserves many mythological components, Snyder's rendition differs in some important respects, so changing the original stories for dramatic impact.
One wonders how faithfully Twilight of the Gods depicted Norse mythology. The response is a mixed one. Although many of the events and characters still reflect their mythological roots, other elements have been altered or overdone. Let's examine the accuracy of the show's portrayal of Norse mythology in more depth.
The official synopsis of the show says:
"Zack Snyder unleashes a bold and bloody vision of Norse mythology in this adult animated series about a warrior with an ax to grind against the gods."
Twilight of the Gods represents Norse Mythology
Freya's Chariot pulled by cats
In both Twilight of the Gods and Norse mythology, Freya rides a chariot pulled by large cats. This detail stays true to her character in mythology, where the cats, sometimes named Bygul and Trjegul, were closely bonded with her.
In the show, Freya aids the protagonist, Sigrid, while maintaining a complex relationship with other gods. This portrayal accurately reflects Freya's dual roles as a goddess of love and war, but the show exaggerates her involvement in the conflict.
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Odin as Thor's father
A well-known feature of Norse mythology is Odin, Thor's father, and Twilight of the Gods faithfully shows this relationship. The show does, however, bring conflict between the two that's not particularly stressed in the original stories.
Thor's disregard for Odin’s wishes and his brutal actions in the series add a layer of conflict not commonly found in the traditional tales, where Thor is typically portrayed as more obedient to Odin’s commands.
Thor and Sif’s marriage
While Sif shows Thor as lonely and hopeful for his death, Twilight of the Gods presents Thor as a violent and disloyal husband. In Norse mythology, but Thor and Sif's relationship is more balanced; despite extramarital affairs, both have mutual respect.
The show exaggerates their bitterness and makes Thor more monstrous than he appears in the myths, where he's admired for his strength and protective nature.
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The relationship between Gods and Giants
In Twilight of the Gods, the hostility between gods and giants is a central theme. Thor’s massacre of giants, particularly at Sigrid’s wedding, drives much of the show’s conflict.
This enmity is rooted in Norse mythology, where gods and giants were often at odds, with Thor famously slaying giants. However, the show alters the giants' portrayal, making them appear more peaceful, while in mythology, they were as aggressive as the gods.
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Thor’s rage at the giants
In the show, Thor’s rage leads to extreme violence, including the near-total annihilation of Sigrid’s family. This level of brutality differs from traditional Norse tales, where Thor’s battles with giants were often depicted as heroic rather than driven by cruelty.
The show amplifies Thor’s wrath, turning him into a more villainous figure than the protector of humanity he was in mythology.
The afterlife in Valhalla
Twilight of the Gods correctly portrays Valhalla as an afterlife for warriors who died honorably in battle. The character Hervor yearns to reunite with her sons in Valhalla, but her use of cursed weapons prevents her from entering.
This aspect of the story aligns with Norse mythology’s rules about Valhalla, where only the bravest could reside. However, the tragic twist of Hervor’s fate was created for dramatic effect in the show.
The role of Valkyries
The Valkyries in Twilight of the Gods are responsible for selecting the warriors who are worthy of Valhalla, reflecting their role in Norse mythology. They silently observe the battlefield, a portrayal that aligns with their mythological function.
However, the show doesn’t delve deeply into their significance or personal traits, making them more passive figures than in the original myths, where they actively choose heroes.
The cast
The voice cast of Twilight of the Gods brings life to the mythological characters. Pilou Asbæk voices Thor with a raw, menacing energy, while Paterson Joseph’s portrayal of Loki captures his trickster nature. Sylvia Hoeks delivers a compelling performance as Sigrid, adding depth to her character’s emotional journey.
The series gains star power from the ensemble cast, which features eminent actors including John Noble as Odin and Lauren Cohan as Inge.
Production and direction
Zack Snyder’s direction brings a visually intense and fast-paced interpretation of Norse mythology. The animation, co-produced by Stone Quarry Animation and Xilam Animation, features striking visuals that heighten the dramatic tension of each scene.
Snyder’s approach to the mythological material emphasizes spectacle and emotional conflict, but at the expense of some mythological accuracy.
Twilight of the Gods takes many creative liberties with Norse mythology, but it also stays true to several key elements. Freya’s chariot, the relationship between gods and giants, and the rules of Valhalla are faithfully depicted, while characters like Thor are given exaggerated traits for dramatic purposes.
The show successfully adapts the mythological source material for a modern audience, blending accuracy with entertainment. For fans of Norse mythology, the series offers a new, albeit altered, perspective on the ancient tales.